64 Truisms & Advice Nuggets For Independent Artists Trying To Cut Through
- Mark Knight, Founder.
- 4 days ago
- 4 min read
Updated: 3 days ago

After spending the last 15 years working with independent artists as a manager, consultant, blogger, podcaster and music startup founder, I wanted to share some pearls of wisdom I had learned along the way, which might also benefit you. In no particular order.
64 Advice Nuggets for Independent Artists
Write, record and produce the highest quality music possible
Remember, nobody listens to bad music twice
People judge books by covers, so look good, consistently
Success is reaching and engaging lots of people, lots of times
Growth is faster when you are seen as both meaningful and different
The most original artists are just the best at hiding their sources
Aim to inspire a devoted following, not an ambivalent ‘Like’
Get out of your bubble and watch and learn from the best
The best marketing probably comes from outside your category
There is no idea in unknown artist releases new song - create a hook
The creative process starts, not ends, with the production of a track
The very definition of madness is doing the same things and expecting different results
Take time to read How Brands Grow and apply the insights to music
If you don’t have benchmarks or targets, how can you understand success
If you were on Dragon’s Den, why would anyone invest in you?
Don’t release music, plan to release music, create a 6-12 week plan
Understand the difference between push and pull marketing and focus on the latter
Start with the channels you control before rushing to paid promotion
Always ask a PR to tell you the name of their favourite track to ensure they have listened
Understand category entrance points and align your music with moods and moments
Create content you’d want to watch
You need to engage the eyes before you engage the ears
Make content for format. A square peg never works in a round hole
Broken social links are the hardest thing to recover from and the easiest thing to fix
Understand the principle buyer moderation and balance time spent on ‘super fans’
Emotional messaging always beats rational messaging, so tap into the power of music
Nobody will ever care as much about your music as you
Prioritise post-launch over pre-launch when people can listen
If you don’t pre-save, why expect anyone else will?
Blogs are only valuable if their content appears in Search results
Blogs are only valuable for you if people are searching for you
What are you doing that makes people search for you?
Plan in stories and cycles and don’t be afraid to return to those stories again and again
Promote your best-performing content. It’s the best indicator of consumer pull you have
Momentum comes from multiple sources; so do lots of things well, often
Don’t waste money on full-length music videos until you have fans to watch them
Your Spotify save rate is a more telling metric than total streams
Network with other musicians. They are your allies, not your competitors
Don’t confuse vanity with effectiveness. One radio play is only good for the bio
Never pay to play
If it sounds too good to be true, it probably is
Successful music blogs don’t beg you to submit music
People see through social accounts with higher followers and low post engagement
Always make friends with the sound engineer; he can make or break you
Gig promotion is not one social post
The best live moments happen when the sound fails, and special intimacy happens
20% of nothing is nothing. So how are you attracting a manager?
When you can’t pay with money, think how you can barter your skills to attract partners
Social media content should be either entertaining or informative; if it’s neither, it will fail
The best social creators find one format and repeat it. What’s your repeatable format?
A great and unexpected cover version never loses its power
If you don’t make the effort, why should anyone else? Don’t leave that bio blank
Competitions asking for fan votes shouldn’t be trusted
If a music blog shares your content, share their content back and show appreciation
A band rarely just breaks; success is building continuous momentum
Broad targeting normally trumps narrow targeting
Put your house in order before you invite guests over, or they won’t come back
Be your authentic self, but retain some mystery
Be a brat, but don’t ever be an unreliable brat
Music promotion (output) never works without music marketing (input)
Anyone can buy cheap video views on YouTube
Virality is driven by watch time, not ‘total views’
Understand the difference between Bonfire and Firework content and create both
Nobody dreams of being unsigned, but everyone aspires to be independent
Listen to the free audio, podcast version of this blog post here.
About the author:
Mark Knight is the co-founder of the music start-up Major Labl Artist Club and also runs Right Chord Music, a music blog that champions incredible unsigned and independent artists. As a professional marketing strategist, Mark aims to bring best-practice brand marketing to band marketing. He has consulted for indie labels such as Earache Records (working with artists like Buckcherry, Scarlet Rebels, The Temperance Movement, and Travis Meadows), Trashmouth Records (Maggie The Cat), and various independent musicians including Anna Wolf, Iraina Mancini, and Porcelain. His work with The Daydream Club earned a nomination for Best Digital Campaign at The Music Ally Awards, making them the only unsigned artist to receive this recognition. The band now have over 100m Spotify Streams as an independent artist. Mark has also written for The Guardian, Music Radar, Reverbnation, Music Think Box and Musosoup blogs.
Major Labl Artist Club recently launched Beat ‘N Track, a free interactive music map and directory for musicians. Imagine LinkedIn meets Google Maps and Fiverr for music. Beat ‘N Track allows Artists to connect to venues, music services, fans and even other musicians like never before, and it’s 100% free.
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